Books

Brocken, Michael (2010): Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s-1970s. Farnham: Ashgate.

Bull, Michael (2000): Sounding Out the City: Personal Stereos and the Management of Everyday Life. Oxford: Berg.

Bull, Michael (2007): Sound Moves: iPod Culture and Urban Experience. London: Routledge.

Carson, David A. (2005): Grit, Noise, and Revolution: The Birth of Detroit Rock’n’Roll. Ann Arbor : University of Michigan Press.

Chatterton, Paul/Hollands, Robert (2003): Urban Nightscapes: Youth Cultures, Pleasure Spaces and Corporate Power. London: Routledge.

Cohen, Sara (1991): Rock Culture in Liverpool: Popular Music in the Making. Oxford: Clarendon Press.

Cohen, Sara (2007): Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles. Aldershot u.a.: Ashgate.

Connell, John/Gibson, Chris (2007): Sound Tracks: Popular Music, Identity and Place. London u.a.: Routledge.

Crossley, Nick (2015): Networks of Sound, Style and Subversion: The Punk and Post–Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975–80. Manchester: University Press.

Currid, Elizabeth (2008): The Warhol Economy: How Fashion, Art, and Music Drive New York City. Princeton, NJ: Princeton University Press.

Deutsches Institut für Urbanistik (Hg.) (2006): Zukunft von Stadt und Region. Band III: Dimensionen städtischer Identität. Beiträge zum Forschungsverbund „Stadt 2030“. Wiesbaden: VS Verlag für Sozialwissenschaften.

Du Noyer, Paul (2002): Liverpool – Wondrous Place: Music from Cavern to Cream. London: Virgin.