by Alenka Barber-Kersovan
Open Penal at the 18th IUAES World Congress “World (of) Encounters: The past, present and future of anthropological knowledge”
Federal University of Santa Catarina, Florianópolis, Brazil, 16-20 July 2018.
Cities are not neutral sites in which people enter. They are not only physically built but are perceived, narrated, interpreted and imbued with power relations (Massey/Jess 1995). People experience places with their specific socio-spatial relations depending on their positionalities, including class, race/ethnicity, gender and religion. Spatial organization is integral to the production of social relations and power relations and not merely its result (Massey 1994).
Please note the quick turnaround for this call. Deadline approaching: 28 February 2018!
For more information concerning your proposal please check the links below.
More 18th IUAES World Congress
Hight streets in British cities often carry strong
meanings in terms of social an cultural status. In this
book, Phil Hubbard analyses their development in times of
recession and austerity and points out how high streets
are shown to have long been regarded as the heart of many communities, but have declined to a state where boarded-up and vacant retail units are a familiar sight.
The book provides a powerful argument against retail
gentrification, and a timely analysis of class conflict in
austerity Britain. It will be of great interest to
scholars of geography, social policy and cultural studies.
Phil Hubbard – The Battle for High Street, Retail
Gentrification, Class and Disgust
Palgrave Macmillan, London – February 2017
In Weekend Societies we are introduced to the emergent field of EDM (Electronic Dance Music) festivals and even-culture studies. Growing ubiquitous in contemporary social life, and providing participants with independent sources of belonging, these festivals and their event-cultures are diverse in organization, intent and outcome, EDM festivals are expressions of “freedoms” revolutionary and recreational.
Graham St. John points out an industry trend in the world dance music culture from raves and clubs towards festivals, featuring contributions from scholars of EDM festivals showcasing a diversity of methodological approaches, theoretical perspectives and representational styles.
Weekend Societies – Electronic Dance Music Festivals and Event-Cultures
Graham St. John – Bloomsbury Academic – 01.12.2017
by R. Kuchar
10th Midterm Conference of the European Research Networks Sociology of Arts & Sociology of Culture, Spt. 4th-7th, 2018, Malta
In recent years, the arts have gained increasing importance of strategies designed for culture-led urban regeneration. The general topic for the 10th Midterm Conference is the connection between the arts, the city and the processes that link them, to examine the interweave of aesthetic, social, cultural and economic dynamics in cities.
Call for Papers is open unteil Feb 15th, Conference Registration starts from April 1st.
More information and paper submission: Conference Website
Following construction delays and a set of scandals, a year ago, the new concert hall called Elbphilharmonie has been inaugurated in Hamburg, Germany. Conceptualised as the landmark of the Music City Hamburg, its spectacular architecture attracts thousands of tourists and music lovers. The diverse musical programme covers all musical genres, ranging from classical concerts to Einstürzende Neubauten, Poetry Slams and contemporary electronics. 850.000 spectators joining the first years´s programme let the city quickly forget about the troubles of planning and constructing…
Here a short flash back of the opening ceremony:
As the title suggests, David Buck’s recent publication concentrates on weaving sound into the sensory appreciation of landscape. Through conceptual and direct reference on musical notation, his work investigates landscape architecture’s inherent temporality and calls for refocusing this under-researched aspect provided by the model of notating time.
Being a landscape architect and educator, Buck’s work offers an innovative and contemporary approach to a wide range of landscape projects and as the founder of the “landscape architecture programme” at the University of East London, his design work in the UK and Japan has been widely published. During his PhD he focused on the investigation of alternatives for perspectival representations of space in landscape architecture through developing new notations from a synthesis with music, thus “A Musicology for Landscape” is evidently the latest in a succession of thriving works.
The book hereby addresses a difficulty within the architectural discourse, which is concerned with a lack of adequacy of the existing design tools to correctly explore the landscape’s inherited temporality. By seeking new forms of notation through the inclusion of musical notation, the book introduces three influential composers – Morton Feldman, György Ligeti and Michael Finnissy – presenting a critical evaluation of their work within music, as well as a means in which it might be used in design research. David Buck then juxtaposes musical scores with design representations by Kevin Appleyard, Bernard Tschumi and William Kent, until final examination through newly developed landscape architectural notations. Ultimately, bringing together musical composition and landscape architecture through notation, evokes a focused and sensitive exploration of temporality and sound in both fields.
David Buck – between landscape architecture and land art
A Musicology for Landscape – 2017 – Routledge
by Timon Scheuer
There is an ongoing rumor that Hamburg at least used to have one of the most vibrant Night-life scenes. And this is its unofficial anthem 'Auf der Reeperbahn nachts um halb eins' by Hans Albers.
All the best for 2018!
Urban Music Studies Scholars Network Crew
by Sebastian Maier
This symposium, in association with the School of Advanced Studies, addresses mapping as both an object and method of musicological enquiry. Inspired in part by the “spatial turn” in the humanities at large and fuelled by the increasing accessibility of Geographic Information Systems software, musicologists can now visualize and analyse complicated trends across time and place with greater ease than ever before. Yet, the ideological and epistemological implications of different mapping tools and techniques remain underexplored. The aim of this symposium is to situate recent projects within a longer history of cartographic practice in music studies.
Please note the quick turnaround for this call: the deadline for proposals is Wednesday 13 December 2017, 12.00 GMT and decisions will be made later that week.
For more informations concerning your proposal please check the link below.
by Leonard Sprueth
Happy to announce! Next years Urban Culture Forum puts special emphasis on the various aspects of Creative and Responsive Citizenship and the artistic approaches of promoting such.
The Urban Research Plaza will hold its 16th edition on March 7th – 8th, 2018, Bangkok, with the overall topic of Education for Creative and Responsive Citizenship.
Researchers, artists and people involved into urban planning that set themselves apart with cross – disciplinary and cross – cultural practices with a focus on sustainable development of cities, as well as enhancement of cultural continuity, are gladly called to participate.
The Faculty of Fine and Applied Arts at Chulalongkorn University, Bangkok and Osaka City University, Japan anually invite contributers thoughout various disciplines such as visual art, music, cultural studies, ethnomusicology or creative arts therapies for a progressive gathering in the Urban Culture Forum and now are spotlighting the complexity of educative ways that promote contemporary forms of Citizenship, accenting art as a communicative tool.
Abstract Deadline will be November 30, 2017.
More: Urban Culture Forum – 16th Edition
The Urban Research Plaza is a Partnership between Japan & Thailand.
by R. Kuchar
We are pleased to announce the fourth KISMIF International Conference ‘Keep It Simple, Make It Fast! Gender, differences, identities and DIY cultures’ (KISMIF Conference 2018) which will take place in Porto, Portugal, between 3 July and 7 July 2018. This initiative follows the great success of the three past editions of the KISMIF Conference and brings together an international community of researchers focusing on underground music scenes and do-it-yourself culture. The 4th edition of KISMIF will focus on ‘Gender, differences, identities and DIY cultures’, directing its attention on gender issues relating to underground scenes and DIY cultures, and their manifestation at local, translocal and virtual levels. In 2018, the scientific programme of KISMIF will once again be accompanied by a diverse social and cultural programme, characterised by a series of artistic events, with special focus on underground music and other artistic expressions. The aim is to provide a unique experience in terms of the transglobal DIY cultures. KISMIF Convenors Andy Bennett & Paula Guerra.
CONFIRMED KEYNOTE SPEAKERS:
Adriana Amaral, Ana da Silva, Anthony Fung, Gina Birch, Helen Reddington, Jodie Taylor, John Robb, Jordan Mooney, Lucy O’Brien,
Michael MacDonald, Motti Regev, Rosa Reitsamer, Sara Cohen, The Raincoats.
More: KISMIF Website