by Timon Scheuer
We are very happy to announce the next edition of our Groove the City conference: From Feb13th-15th, 2020 the international community of urban music studies will again meet in the North of Germany close to Hamburg in Lueneburg, this time … Continue reading
by R. Kuchar
Dear all, last weekend, we had a quite productive conference at Leuphana University of Lüneburg. Thanks very much to everyone who was part of it making the conference to the successful event it was! We´d also like to thank Alexander … Continue reading
by R. Kuchar
The Book of Abstract of our conference is completed! We are looking forward to “Groove the City” and invite you to have a look inside:
Exploring a City. 1945 up to the Present Day
Lead by Susana Zapke, keynote-speaker at our conference in November, this research project tackles the role of music in urban context as an instrument of social identification and the question of how music is symbolically used in municipal politics. The city of Vienna hereby functions as an example to point out the ways music can be responsible for creating specific city spheres and ideological subjects.
In this manner, cultural and social practices are looked upon to identify the modus operandi of the city as well as its social dispositions. Vienna’s site-specificity will thereby be attributed to the acoustic-tonal construct inherited.
This particular research-emphasis was developed through the entanglement of scientific and artistic approaches and practices of diverse projects at the MUK Vienna since 2012.
Hight streets in British cities often carry strong
meanings in terms of social an cultural status. In this
book, Phil Hubbard analyses their development in times of
recession and austerity and points out how high streets
are shown to have long been regarded as the heart of many communities, but have declined to a state where boarded-up and vacant retail units are a familiar sight.
The book provides a powerful argument against retail
gentrification, and a timely analysis of class conflict in
austerity Britain. It will be of great interest to
scholars of geography, social policy and cultural studies.
Phil Hubbard – The Battle for High Street, Retail
Gentrification, Class and Disgust
Palgrave Macmillan, London – February 2017
In Weekend Societies we are introduced to the emergent field of EDM (Electronic Dance Music) festivals and even-culture studies. Growing ubiquitous in contemporary social life, and providing participants with independent sources of belonging, these festivals and their event-cultures are diverse in organization, intent and outcome, EDM festivals are expressions of “freedoms” revolutionary and recreational.
Graham St. John points out an industry trend in the world dance music culture from raves and clubs towards festivals, featuring contributions from scholars of EDM festivals showcasing a diversity of methodological approaches, theoretical perspectives and representational styles.
Weekend Societies – Electronic Dance Music Festivals and Event-Cultures
Graham St. John – Bloomsbury Academic – 01.12.2017
As the title suggests, David Buck’s recent publication concentrates on weaving sound into the sensory appreciation of landscape. Through conceptual and direct reference on musical notation, his work investigates landscape architecture’s inherent temporality and calls for refocusing this under-researched aspect provided by the model of notating time.
Being a landscape architect and educator, Buck’s work offers an innovative and contemporary approach to a wide range of landscape projects and as the founder of the “landscape architecture programme” at the University of East London, his design work in the UK and Japan has been widely published. During his PhD he focused on the investigation of alternatives for perspectival representations of space in landscape architecture through developing new notations from a synthesis with music, thus “A Musicology for Landscape” is evidently the latest in a succession of thriving works.
The book hereby addresses a difficulty within the architectural discourse, which is concerned with a lack of adequacy of the existing design tools to correctly explore the landscape’s inherited temporality. By seeking new forms of notation through the inclusion of musical notation, the book introduces three influential composers – Morton Feldman, György Ligeti and Michael Finnissy – presenting a critical evaluation of their work within music, as well as a means in which it might be used in design research. David Buck then juxtaposes musical scores with design representations by Kevin Appleyard, Bernard Tschumi and William Kent, until final examination through newly developed landscape architectural notations. Ultimately, bringing together musical composition and landscape architecture through notation, evokes a focused and sensitive exploration of temporality and sound in both fields.
David Buck – between landscape architecture and land art
A Musicology for Landscape – 2017 – Routledge
by R. Kuchar
A very interesting work about Musicking in the city by Katie Rochow. The study documents the way in which music making serves as a vehicle for the social production of place and the creation of an affective attachment to that … Continue reading
by Alenka Barber-Kersovan
In their interdisciplinary research project, carried out between 2012 and 2016 at CSIC, Institución y Mila Fontanals, the principal investigator Dr. Tess Knighton and her team explored the 16th century urban music culture in Barcelona. They analysed the comopolitan social … Continue reading
by Alenka Barber-Kersovan
The original music for Ruttmanns ‘Symphony of a metropolis’ was composed by Edmund Meisel and played live with a symphony orchestra. However, Ruttmanns semi-documentary portrait of Berlin remains as a strong inspiration for creating new soundtracks up until now. The … Continue reading