A Musicology for Landscape – New Book by David Nicholas Buck

03/01/2018 by Leonard Sprueth | 0 comments

As the title suggests, David Buck’s recent publication concentrates on weaving sound into the sensory appreciation of landscape. Through conceptual and direct reference on musical notation, his work investigates landscape architecture’s inherent temporality and calls for refocusing  this under-researched aspect provided by the model of notating time. 

Being a landscape architect and educator, Buck’s work offers an innovative and contemporary approach to a wide range of landscape projects and as the founder of the “landscape architecture programme” at the University of East London, his design work in the UK and Japan has been widely published. During his PhD he focused on the investigation of alternatives for perspectival representations of space in landscape architecture through developing new notations from a synthesis with music, thus “A Musicology for Landscape” is evidently the latest in a succession of thriving works.

The book hereby addresses a difficulty within the architectural discourse, which is concerned with a lack of adequacy of the existing design tools to correctly explore the landscape’s inherited temporality. By seeking new forms of notation through the inclusion of musical notation, the book introduces three influential composers – Morton Feldman, György Ligeti and Michael Finnissy – presenting a critical evaluation of their work within music, as well as a means in which it might be used in design research. David Buck then juxtaposes musical scores with design representations by Kevin Appleyard, Bernard Tschumi and William Kent, until final examination through newly developed landscape architectural notations. Ultimately, bringing together musical composition and landscape architecture through notation, evokes a focused and sensitive exploration of temporality and sound in both fields.

David Buck – between landscape architecture and land art 

A Musicology for Landscape – 2017 – Routledge


by Timon Scheuer

Happy New Year!

There is an ongoing rumor that Hamburg at least used to have one of the most vibrant Night-life scenes. And this is its unofficial anthem ‘Auf der Reeperbahn nachts um halb eins’ by Hans Albers. All the best for 2018! … Continue reading

by Alenka Barber-Kersovan

CfP: Marseille ? Naples : deux métropoles musicales transculturelles de Méditerranée

In addition to numerous other similarities, the Mediterranean cities Marseille and Naples offer very lively music scenes with significant parallels (and, of course, differences). Examples of comparable phenomena point to typical forms of popular song (“canzone napoletana”/”chansons deMarseille”), the close … Continue reading

by R. Kuchar

June is New York Music Month

NYC kicks off the first-ever  (NYMM) – a citywide celebration of New York City’s diverse music ecosystem during the month of June. Music is central to the city’s economy, social fabric, and cultural identity. NYMM celebrates this with programming and … Continue reading