by R. Kuchar
We would like to remind you of the open call for our conference in November and are very happy to announce that we have been able to complete Keynote Speaker appearances for this first major event related to Urban Music … Continue reading
by Leonard Sprueth
The programm of the 2018 edition of the Music Cities Convention by Sound Diplomacy, which will take place from 19 – 20 April 2018 in Melbourne, Australia, is now online. More:
by Sebastian Maier
Urban Music Policies between Informal Networks and Institutional Governance International symposium of the Urban Music Studies Scholars Network in collaboration with the Institute of Sociology and Cultural Organization, Leuphana University of Lüneburg. Since Urban Music Studies are a lively field … Continue reading
by Alenka Barber-Kersovan
Open Penal at the 18th IUAES World Congress “World (of) Encounters: The past, present and future of anthropological knowledge” Federal University of Santa Catarina, Florianópolis, Brazil, 16-20 July 2018. Cities are not neutral sites in which people enter. They are … Continue reading
Hight streets in British cities often carry strong
meanings in terms of social an cultural status. In this
book, Phil Hubbard analyses their development in times of
recession and austerity and points out how high streets
are shown to have long been regarded as the heart of many communities, but have declined to a state where boarded-up and vacant retail units are a familiar sight.
The book provides a powerful argument against retail
gentrification, and a timely analysis of class conflict in
austerity Britain. It will be of great interest to
scholars of geography, social policy and cultural studies.
Phil Hubbard – The Battle for High Street, Retail
Gentrification, Class and Disgust
Palgrave Macmillan, London – February 2017
In Weekend Societies we are introduced to the emergent field of EDM (Electronic Dance Music) festivals and even-culture studies. Growing ubiquitous in contemporary social life, and providing participants with independent sources of belonging, these festivals and their event-cultures are diverse in organization, intent and outcome, EDM festivals are expressions of “freedoms” revolutionary and recreational.
Graham St. John points out an industry trend in the world dance music culture from raves and clubs towards festivals, featuring contributions from scholars of EDM festivals showcasing a diversity of methodological approaches, theoretical perspectives and representational styles.
Weekend Societies – Electronic Dance Music Festivals and Event-Cultures
Graham St. John – Bloomsbury Academic – 01.12.2017
by R. Kuchar
10th Midterm Conference of the European Research Networks Sociology of Arts & Sociology of Culture, Spt. 4th-7th, 2018, Malta In recent years, the arts have gained increasing importance of strategies designed for culture-led urban regeneration. The general topic for the … Continue reading
Following construction delays and a set of scandals, a year ago, the new concert hall called Elbphilharmonie has been inaugurated in Hamburg, Germany. Conceptualised as the landmark of the Music City Hamburg, its spectacular architecture attracts thousands of tourists and music lovers. The diverse musical programme covers all musical genres, ranging from classical concerts to Einstürzende Neubauten, Poetry Slams and contemporary electronics. 850.000 spectators joining the first years´s programme let the city quickly forget about the troubles of planning and constructing…
Here a short flash back of the opening ceremony:
As the title suggests, David Buck’s recent publication concentrates on weaving sound into the sensory appreciation of landscape. Through conceptual and direct reference on musical notation, his work investigates landscape architecture’s inherent temporality and calls for refocusing this under-researched aspect provided by the model of notating time.
Being a landscape architect and educator, Buck’s work offers an innovative and contemporary approach to a wide range of landscape projects and as the founder of the “landscape architecture programme” at the University of East London, his design work in the UK and Japan has been widely published. During his PhD he focused on the investigation of alternatives for perspectival representations of space in landscape architecture through developing new notations from a synthesis with music, thus “A Musicology for Landscape” is evidently the latest in a succession of thriving works.
The book hereby addresses a difficulty within the architectural discourse, which is concerned with a lack of adequacy of the existing design tools to correctly explore the landscape’s inherited temporality. By seeking new forms of notation through the inclusion of musical notation, the book introduces three influential composers – Morton Feldman, György Ligeti and Michael Finnissy – presenting a critical evaluation of their work within music, as well as a means in which it might be used in design research. David Buck then juxtaposes musical scores with design representations by Kevin Appleyard, Bernard Tschumi and William Kent, until final examination through newly developed landscape architectural notations. Ultimately, bringing together musical composition and landscape architecture through notation, evokes a focused and sensitive exploration of temporality and sound in both fields.
David Buck – between landscape architecture and land art
A Musicology for Landscape – 2017 – Routledge
by Timon Scheuer
There is an ongoing rumor that Hamburg at least used to have one of the most vibrant Night-life scenes. And this is its unofficial anthem ‘Auf der Reeperbahn nachts um halb eins’ by Hans Albers. All the best for 2018! … Continue reading